Skaņu Mežs’2016 review for The Wire
It’s a bold start for Skaņu Mežs to open its main festival weekend with a concert reworking November, the lost minimalist composition for piano by Dennis Johnson, who abandoned composition for mathematics shortly thereafter. American pianist R Andrew Lee hits simple chords one at a time, holding the spaces between them just beyond the threshold of comfort … Continue reading Skaņu Mežs’2016 review for The Wire